Overview of our Embroidery Digitizing Service
We bring you a service that is definitely going to excite you. Quality with speed and that too at very affordable price, is a very rare combination. Well, if you are searching for an embroidery digitizing service that combines all three-you are at the right place. And if you believe that it is not possible to have all the above three characteristics simultaneously- you better try it once. After all, it is only $1.5/ 1000 stitches which actually is cheap digitizing.
Yes, for a limited time, high quality embroidery digitizing services by Absolute Digitizing only costs $1.5 per 1000 stitches, with a minimum price of $10.5 and a maximum of $150. You can check further details of our pricing here. All orders irrespective of the complexity of design are delivered in less than 24 hours. In case of rush orders, that are delivered within 2 to 12 hours of ordering, a nominal additionally fee is charged. Place your orders or receive free estimates and quotes here as we ensure you an absolutely satisfying experience.
What Is Embroidery Digitizing?
Embroidery Digitizing is the process of converting any artwork, logo or a picture into digital stitch format using computer software that an embroidery machine can embroider on apparel.
We all know that embroidery machines have enhanced our capabilities to sew out. Not only in terms of the quantity, but quality that very rarely gets affected by the mind boggling speed of the machines. These improvements have taken place over the course of centuries. The massive capacity and size of the industry is bigger than ever imagined before. These unprecedented figures are owed to the computerized technological innovations. An integral and basic component of this present day automated process is in fact embroidery digitising.
It forms the basis of how machine embroidery work today. The ability to render accurate stitches at an amazing speed is partially owed to digitising as it ‘guides’ the machine on how to achieve it. Instead of direct manual input, designs are now created through a digital input. This digital input, known as a digitized file, is created with an embroidery digitizing software.
Despite the cutting edge advancements, the process still requires a trained professional who is responsible for creating these files. Creating the digitized file is not a turn-it-in process and not anybody can create digitized files by simply using these software. An embroidery digitizer, as they are commonly referred, manually defines the stitch path, stitch count, stitch density and various other stitching parameters in the software.
If we stick to the term conceptually, the origins of the process date back to the 19th century. One thing that should be made clear here is that these machines were around for a very long time. Digitising came to the scene much later. Prior to it, machines were operated with the manual effort. It was an efficient method as compared to the hand embroidery, but still it was far away from what we have today.
While the process was still dominantly mechanical in nature, punch cards can be identified as the most primitive form of digitising. The holes in these punch cards had a corresponding hook which ultimately determined the impression of embroidered design on the fabric. After punch cards the next transition was to the punching tape. This punching tape, in essence, functioned pretty much like punch cards. The major difference between the two was that punching tapes were fed with embroidery patterns in tape readers. Embroidery tapes were electronic in nature, while punch cards were majorly mechanical.
This brief history also explains that why digitising to date is still sometimes referred to as embroidery punching.
It is a computer program that is used by a digitiser to create digitized files. There are dozens of programs available, with different interfaces and slightly different features that aid a professional embroidery digitiser while creating a digitized file. The common confusion that many come across is choosing digitizing software that best suits a particular business or an individual.
While making a choice, it is important to understand that the software are available for a range of distinct functions and performance parameters. Not one software works equally good for everybody. There are different factors that should be considered while making the choice. The two most important factors are skill level of the individual who will be digitizing and needs and requirements of the business.
To make a choice, you need to compare prices and features of different software available. For this research, you may refer to our embroidery digitizing software buying guide. Here we have discussed and compared the most popular software in terms of their prices, performance, features and issues that are likely to erupt.
There are various techniques that are used by digitisers to create digitized file from a logo. Remember that a digitizer is not responsible for creating a logo. Digitization is an altogether different skill set from graphics and thus, artwork or logo should be prepared by a graphics artist firstly.
Here is a small video about embroidery logo digitizing created by Absolute Digitizing.
Fashion designers love to use embroidery in their outfits and it is one of the most sought after thing in fashion industry. Follow this Embroidery Digitizing Blog to get updates on latest Fashion Trend.
For better understanding, here is a basic breakdown of techniques on how to digitize a logo for embroidery and be successful in embroidery digitizing business.
Once the graphic art is prepared, it is now the responsibility of a digitiser to punch it into a sew-able format. Mere knowledge of operating digitizing software is inadequate. A professional must be aware of how machines actually embroider a design over fabric. A good sense of the process makes further working easier. It is due to the fact that not every design can be embroidered as it is and with certain design, a digitizer has to make necessary adjustments to make it suitable for digitising software. This is known as custom embroidery digitizing design manipulation.
After design manipulation is done, the graphics file is opened in digitizing software. Firstly, a digitiser must decide that how stitches will run through the design. This process is called Pathing or Traveling of stitches. Pathing determines how a design will be oriented when it is finally embroidered. Moreover, it also effects how a design looks as pathing issues can cause uneven text or gaps in a design.
While pathing the stitches in suitable sequence, a digitizer must take into account the fabric and the nature of the design. Pathing also affects the speed with which a design is stitched and thus, is an explicit determinant of production rate.
Defining Stitch Types
After pathing, it is time to assign stitch types to various design elements. While deciding stitch types, the priority should be to reproduce original artwork in its most representative form, when it is embroidered. It is up to the ability and experience of embroidery digitizers to decide a suitable stitch type, while representing a specific design element, so when embroidered, it looks closest to the artwork. The ultimate goal here is to choose stitch types in a manner that doesn’t affect the integrity of the design.
With that in mind, underlay stitches are first defined. Underlay helps in providing the stability to the design. Once underlay is laid, now it’s time to define stitches for each design element. Basically, there are only three basic stitch types. They are: fill stitches, run stitches and satin stitches. In practice, there are various variants of each and a digitiser must decide that which variant should be assigned in a particular area. The decision, obviously, is not random and there are few factors that have to be considered before making the decision.
One of the most important decisive factors is the fabric type. A design that is originally digitized for sturdy leather will not be a pleasing sight to stare at, if embroidered on a delicate fabric like silk.
Adjusting Push And Pull Compensation
A digitizer must be well aware of the push or pull compensation that will be exerted on the design when embroidered on a particular fabric. He must make the adjustments to counter this effect so that design does not get distorted. An adjustment factor, after considering all other factors that are likely to affect push or pull compensation is applied to the stitches in the design.
These are some of the most important techniques involved in digitizing for embroidery, but that’s not it. During custom embroidery digitizing, there are various designs which require much more than these basic techniques. Only a professional can encompass the scope and considerations of which go into digitising a design from scratch.
In fact, professional digitising is much more than understanding these basic techniques and operating a software.
For a truly professional experience, reach out to us. Our team has tons of experience and skills that are required to bring results that will leave you enthralled. Top of all, we are the only cheap digitizing price service providers who are quality oriented without being heavy on your pockets. Get a quote today. After all, it is only $1.5/1000 stitches.
Appliques and embroidery go a long way back. Despite the advancements in machine embroidery, appliques didn’t lose their popularity. In fact, over the years the popularity of appliques has grown. The styles and techniques have fairly evolved. Today, machine embroidery designs are embroidered through digitized files. Applique digitizing is a technique to create computer stitch files that are responsible for placing and maneuvering stitches, required for recreating appliqué on fabric. Normally mistaken for being a simple technique, applique digitizing has various minor aspects that are often too easily ignored. These minor, and often unnoticed aspects, are what differentiate quality applique digitizing from an ordinary one. Developing these skills over-time on an embroidery digitizing software requires training, patience and time. Getting the services of professional embroidery digitizing service or an embroidery digitizer ensures exquisite quality with quick turnaround.
Digitized files have an instrumental role to play in an embroidery business. There is almost no doubt about it. Since digitized designs are necessary to keep embroidery machines busy, it is sort of a supply in the business. Therefore, like any business, embroiderers are focused towards finding economic solutions to profit higher.
Unfortunately, getting cheap digitizing is not like other supplies. There are various factors due to which digitized designs cannot be dealt the way other supplies are dealt to get a price cut. Some of these include: unclear quality parameters, stitch count pricing model and intangible nature of the output.
Consequently, getting costs cuts without delays or quality reduction is not a walk in the park. One can easily be lured into the “cheap” thing, not realizing how it is going to impact their business reputation and integrity. Moreover, get to know how you can get cheap digitizing embroidery without getting into the hustle.
Given the importance of digitising, embroiderers long for a solution that can consistently provide them digitized files of high quality. The most common courses are either hiring an in-house digitizer or outsourcing to a remote digitizer or an embroidery digitizing service.
Different business needs call for different solutions. In this post, we see that how these three different methods generally compare to each other. How factors such as cost, delivery timings, control and quality of embroidery digitized files typically turn-out and which one surfaces as a better method than other two.
While getting help through either of the aforementioned methods, one must take into account the effect it is going to have on their business. Not only monetarily but also operationally. Having access to professional service provider is a must for a machine embroidery business.
A digitizer is a person responsible for creating digitized files from an artwork. This is done on a digitizing software. Although there is a software involved, quality of digitizing still depends on the expertise of an embroidery digitizer. A digitizer has to manually decide and define stitch types, stitch path and stitch density along with other factors, throughout the design. Not only is the process laborsome, it requires in-depth understanding of embroidery digitising process itself, as well as the embroidery production process.
Therefore, not everybody is qualified to create digitized designs for commercial use. This also explains the importance of a professional digitizer for business owners. In the past few years, we have seen the advent of auto digitizing. Despite various attempts by software manufacturers, the automated alternative is still in juvenile phase. There is little practical worth of the concept as the digitized designs created by auto-digitizing are poor in quality and are, therefore, misfit for professional use.
To be used by an embroidery machine, a design must be in a DST or a similar digitized format. embroidery have greatly reduced the effort and time involved with embroidering a design. Today’s machine embroidery is advanced but still, requires external input to smoothly input. Embroidery designs have to be in a DST format to be compatible with the machine. JPG format, though a widely adopted image format, is unfortunately not readable by the machines.
Therefore, to recreate a design in embroidered form, it must be first converted from JPG to DST. Instead of a converter software, a JPG file has to be first imported to a digitizing software. The file is then manually converted by the digitizer to a DST or any other digitized file format. The digitizer decides and demarcates that how stitches will run through the design. Moreover, defining various stitch parameters is also the responsibility of an embroidery digitizer.
When digitizing is done, colors are kept close enough to the original design, or as dictated by the customer. The file created during machine embroidery digitizing is known as the native file. The native file is not readable by embroidery machines and thus, it must be converted to another format. Consequently, the native file is converted into a machine format which fails to retain color patterns across the digitized designs.
Consequently, the color scheme is lost in the process and thus, machines cannot, on their own, embroider actual colors in the right areas. to set things straight, an embroiderer must resort to the manual means. Most seasoned embroiderers are accustomed to this and therefore, do not even think of it as a problem, in the first place.
To solve the color distortion issues, there should be a color list for the digitized design. The machine is threaded and corresponding thread cones are connected to the needles accordingly. Storing the details of each job thus becomes a necessity and thus, necessary arrangements for that should be made.
Talking about embroidered designs, we focus way too much on their looks. Sometimes, it is presumed that the sole criterion for judging digitizing, is the way it makes a design turn out after going through the machine. Sadly, there are other important factors that play a major role in how a digitized design performs, which are overlooked. Talking of the two most important; wearer comfort and production friendly, they are in fact, more important than aesthetic aspects of the design.
If a digitized design comes in the way of wearer’s comfort, it is no way near great digitizing. Heavier designs, though look great, but an excess of them causes problems for the customer. Consequently, the density of top stitches should be kept in check. Similarly, an embroidery digitizer must also keep his approach production oriented and streamline the process. Digitizing should be planned and executed in a manner that it meets the needs and expectations of both embroiderers and customers.
When it comes to embroidery logo digitizing then placement is everything. While deciding the placement you must do your homework about the gender, age, and all other necessary information. You have to keep in mind whether the logo would be an image or would be done in lettering. The logo would be designed and placed according to the nature of the product. You must read our blog for the appropriate placement of the t-shirts, polo top and shirts, jackets, hoodies and sweatshirts, cuffs, beanies, turtlenecks, ties and knitted caps.
We always talk about how to take more and more embroidery digitizing orders but this article will tell you about how to save your repute and clientele by avoiding risky orders. Sometimes, the clients don’t realize their best interest. They don’t realize the creative limitations of embroidery digitizing. So, if you can’t educate them about the limitations then you must learn to exercise your right to say no. While digitizing blended colors, the results depend on so many things like fabric and thread which are beyond the digitizers control. Yet they could ruin the final outcome and all your effort. So you must tread this path carefully. Distressed logos are a no-go area unless you are paid highly for it or you are an expert comfortable in this area. Overdone lettering is also tricky and should be taken up carefully. While accepting a big logo for a cap, you must think twice. Only small logos are workable for caps.
While running a business, it is not possible to go in the depths of every issue and get things sorted out. No matter what you do, there will always be a minor issue here and there. Of course, the quality of your embroidery affects your reputation as a business and therefore, these issues cannot be ignored.To a customer, it doesn’t matter how well you digitized a design and the efforts you put in the production process to ensure better quality. At the end of the day, it is the appearance and wearing experience that apparel has to offer. So, instead of feeling frustrated and disgusted, here are some easy fixes to mitigate some common problems in commercial machine embroidery.They not only save your time and money, but also abandon the frustration that comes alongside. It is not unethical to adopt these hacks and shortcuts as long as they are not compromising with customer needs and expectations.
If you are someone who regard creativity and care for professionally executed digitized embroidery designs, then you are up for a rare find. In most cases, such designs fail to get due appreciation and reward because of commercial influx. Nonetheless, though not abundant, the audience of admirers still exists.As these are not run of the mill designs, consequently, it is hard to find a digitizer who is well-versed with techniques that are instrumental to render such designs. Nevertheless, if you want to take a start, following are some great skills to assimilate and practice.It is true that getting familiar with these skills will not turn you in a ‘super-digitizer’ overnight. As you would understand, it takes time. Moreover, following skills are a great point to get started. They save you from the trouble of trying a lot of new things and failing to smoothly execute any of them.
Custom logo digitizing is the process of embroidery digitizing a logo for any business or organization from scratch. It must be established that professional logo digitizing is different from digitizing a logo randomly. Results from a professional digitizer not only look great, they are also production friendly, as well as account for the wearer’s needs.Therefore, to professionally digitize a logo for embroidery, contrary to the popular belief, mere knowledge of the software program is not adequate. Knowing professional digitizing software is also inevitable for achieving professional quality. But it takes more than that. Rather, it requires a holistic approach.Know three primary knowledge areas that a digitizer should persuade simultaneously to digitize logos. Though apparently distinct from each other, see that how important a parallel understanding of the embroidery process is for digitizing embroidery designs.
Digitizing for embroidery patches could be a tricky area for newbies. First, you have to find the patch according to your requirement. It could range from one inch to fullback. There are no barriers when it comes to sizes. The second consideration is to select the color. You can either match the color with fabric or try contrasting colors. You should be wary of heat sensitive patches as they are difficult to stitch. Then there is careful selection of marrow color. You have to scan the design first and then download it to the digitising software. While digitising, leave some distance from the border. A close done design could cause hitch while embroidering. The last part is sticking the patches which could be done while choosing different types of patches or adhesive. You should avoid spraying adhesive to get clean and crisp results.
Digitizing furry animals like dogs is considered the most prestigious form in the world of digitizing. The digitizer has to bring the dog design to life. It is extremely difficult to create perfect layers, fur, muscles, and face. The design or picture which you have been given for digitising must be clear. You should pin the difficult areas of the image in your mind and then start working. There are two kinds of designs: big and small. Smaller ones are more challenging as you have to keep the minor details in mind. The direction of hair and muscles is important in constructing the real image. The selection of bright colors as they will help in keeping a clear demarcation. You have to use a diverse color palette to give natural look to it. The dog is the hero of your design so keep it in the foreground. The background should have a horizontal filling. While the foreground must be vertical. You should also be careful in the choice of the stitch. Always start with the underlay and keep the density light for smaller designs. This blog will certainly give you a good basic training in dog embroidery digitizing.
Color blending is the most complex technique in commercial machine embroidery digitising. It takes experience and practice to learn the right combination. But there are some basic techniques which could be helpful for the beginners. The color wheel has primary, secondary and tertiary colors. The color wheel will help you in making an informed decision and getting the right results. Thread chart plays a pivotal part in creating the desired color. It helps you in making decisions when there are mild differences in shades. Perfect blending is achieved through the right stitch density. Stitches must not overlap and there must be symmetry in the design. These tips will make color blending in embroidery digitizing easy for digitizers.
Logo digitizing must be immaculate as it represents the image of a business in a small space. For this very reason, only expert digitisers are chosen for this job. Letters are the foundation of the custom digitizing logo so the operator must be adept at letter digitising. Here, we will talk about introducing and editing the letters. Logos are revered for their creativity and originality so no shortcuts must be used in the process of digitizing. Each letter must be digitized separately. Keyboard fonts must be selected carefully and should be used naturally rather than forcing them. You will learn the right use of fonts with time and practice. True type font generator is a new software which doesn’t work successfully in logos. Its results require massive editing. So try to avoid it and use other software. Using alphabets adds variety to the designing palette. It increases the range of experiment and creativity. It gives limited editing options but its more fun in creating new designs.
Resizing an already digitized embroidery design can be challenging, especially if it is not anticipated and digitized by the digitizer accordingly. By adopting some simple measures, resizing embroidery design becomes a pretty straightforward, quick and easy process. Otherwise, a digitizer might have to spend an almost same amount of time to size up or size down an already digitized design. Running stitches must be replaced by satin stitches. If satin stitches are too long, they can increase pull and should, therefore, be replaced with fill stitches.Instead of conventional underlay, resizing can be facilitated by using fill layers. By creating three fill layers, each having 1/3 of total stitch density, the problems associated with resizing are efficiently resolved. Due to lower stitch density in each background fill layer, there is now lesser pull exerted on the threads. Consequently, no pull compensation is required when the size of the design is increased.